Independent Research
2002 Grant Recipients

Grants for Independent Research on Venetian History and Culture

2002-2003 United States Program

Franca Barricelli

Opera as Politicized Theatre in Occupied Venice

Lisa Chensvold

Francesco Cavalli's ‘Ercole amante' A Transalpine Episode in the History of Venetian Opera

David D'Andrea

The Venetian Regulation of the Terraferma: Communal Government and Charity in Renaissance Treviso

Julia A. DeLancey

Apothecaries and the Pigment Trade in Renaissance Venice and Florence

David Friedman

Survey and Urban Design: Mapping in the Archives of the ‘Savi ed Essecutori alle Acque' and the ‘Provveditori ai Beni Inculti'

Margarita Gleba

Textile Production in the Protohistoric Veneto: The Use of Implements in Reconstructing a ‘Missing' Craft

Jeannie Dionisio Ma. Guerrero

Sowing the Seeds of Protest: A Reassessment of Luigi Nono's Choral Works After ‘Il canto sospeso'

Jonathan Hoyte

Effects of laser cleaning on various stone consolidants

Deborah Allison Kaye

Emancipation Politics in Venice and Turin: Jewish Family Firms and the Social Origins of Italian Nationalism, 1797-1848

Maria Hsiuya Loh

Strategies of Repetition from Titian to Padovanino: Producing and Reproducing Venetian Style in 16th and 17th-Century Painting

April Oettinger

A Renaissance Romance: The Hypnerotomachia Poliphili

Hilary Poriss

Finances, Benefits, and Beginnings: Aria Substitution in Venice's Opera Houses, 1815-1850

Kari A. M. Staros

Medieval Mediterranean Merchant Communities and the Evolution of Modern Global Interaction

Maximilian Lloyd Stueland Tondro

Representing Venice: Images of Festivities, 15th-18th centuries

Angela M. Volan

The Rise of Byzantine Eschatology and Apocalypticism in the Venetian ‘Stato del Mar': the Case of Manuscript Marciana gr. VII, 22

Dean V. Williamson

Ascertaining Economic Depression Before the Black Death from Contract Selection: Evidence from the Maritime Trade of Venetian Crete